Welcome to Nowhere

I am nowhere man. If you are here you are indeed nowhere. The music in this collection has nothing in common,
other than the fact it comes right out of nowhere.

Saturday, January 30, 2010

Carl Ruggles - Angels (original version for trumpets)








From Presser Online:

Carl (Charles Sprague) Ruggles was born in East Marion, Massachusetts, on March 11, 1876. Trained as a violinist, he also studied theory and composition in Boston with Josef Claus and John Knowles Paine. (Plans to study composition with Dvorák in Prague were put off when a financial sponsor died).

In 1907, Ruggles moved to Winona, Minnesota. In this small city on the banks of the Mississippi he founded, and for a decade conducted, the Winona Symphony. He also gave lessons, composed, and began painting during this time.

Ruggles moved to New York City in 1917 and, supported by teaching and private patronage, became associated with Ives, Varèse, Cowell, Slonimsky, and Seeger. Most of his major works were begun and first performed during the years in New York (1917-37).

After a period (1938-43) during which he taught composition at the University of Miami, Ruggles settled in a converted schoolhouse in Vermont, where he had been spending his summers since the ‘20s. His musical activities during this time consisted mostly of ruthless and painstaking revision of his earlier works. (He started few new works; the only one completed is the short hymn tune Exaltation, written in 1958 as a memorial to his wife). He turned mostly to his painting - which grew increasingly abstract - during the Vermont years of his life.

A crusty, cigar-smoking, classically independent Yankee, Ruggles was described by Henry Cowell as "irascible, lovable, honest, sturdy, original, slow-thinking, deeply emotional, self-assure, and intelligent," and by Charles Seeger as "the most delightful character in contemporary American life."

Ruggles’ unique music - atonal but not serial, and filled with shifting lines and rhythms - is difficult to describe. The New Grove’s Dictionary sees his music characteristically moving in "mounting declamations of heroic striving" varied with sparser, more settled textures, and finds "his aim was the clearest and boldest presentation of the features that were most important to him: line and polyphony." Ives called it simply "strong masculine music."

Carl Ruggles died in Bennington, Vermont, on October 24, 1971.

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